Matteo Vitanza: I always like to imagine myself on the dance floor when melodies come into play in my tracks

Today, we sit down with the rising star of the techno scene, Matteo Vitanza, to discuss his journey, influences, and the release of his latest track, \”Flower Pain,\” on the renowned Spanish label Codex, owned by Ukrainian powerhouse Spartaque. Matteo\’s innovative sound has already garnered support from industry heavyweights like Cosmic Boys and UMEK, and with \”Flower Pain,\” he continues to push the boundaries of techno with his unique blend of immersive soundscapes and emotive melodies. Let\’s dive into the mind of this talented artist and explore the inspirations and processes behind his captivating music.

You\’re known for your deep involvement in the techno scene. What first drew you to electronic music and techno specifically, and how has your musical journey evolved since then?

I became passionate about electronic music, mainly listening to Skrillex, Swedish House Mafia and the first artists who pioneered the EDM genre. then by pure chance a friend of mine made me listen to kalkbrenner, I was fascinated by the communion of sounds, melodies and emotions of a track that didn\’t necessarily have to be \’\’dance\’\’. I started digging deeper and deeper until I reached the greats of the techno scene, such as Richie Hawtin, Carl Cox, Jeff Mills and others. from that moment on I was totally taken by this genre which knew how to express a lot with little.

You’ve released tracks on several notable labels like 1605, Codex, and Legend. How do you decide which label to release your music on, and what is your experience working with these labels?

I always start with a basic idea, as I develop it I start to get an idea of where it could be released, and try to push the track in that direction. working with these labels is always rewarding!

Your music has been supported by top DJs such as Cosmic Boys and UMEK. How does it feel to have your work recognized by such influential figures in the industry?

I had the chance to work with a legend like umek and I didn\’t expect to find such a kind and affable person. I also had a great time with the cosmic boys, super kind and helpful guys! I\’m super happy that figures like that support me and recognize my music! I hope to be able to work with them again

\”Flower Pain\” is a captivating title. Can you explain the concept behind the name and how it reflects the theme of the track?

I always create titles based on the emotion the track causes me. Flower Pain was born from the real idea of a trampled flower and the hatred that can result. the melodies are delicate like petals and the drop is mean and heavy. they are actually films that I make when I listen to my productions hahaha

How do you approach the creative process of producing a new track? Do you have any specific routines or techniques that help you get into the creative flow?

Very simply I say to myself: \’\’I want to do this track like this\’\’ or \’\’I want to be inspired by this artist\’\’ or even \’\’I want to create something melodic or more groovy\’\’. I try several times until something works that works

The music industry is constantly evolving. How do you keep up with new trends and technologies in music production, and how do you incorporate them into your work?

I don\’t do that. or rather, I always thought that I wanted to be myself regardless of gender. I create what comes into my head, without thinking too much about how marketable it must be or how modern it is

Your tracks often feature deep, immersive soundscapes. How do you approach sound design and ensure each track has a unique and captivating feel?

I always like to imagine myself on the dance floor when melodies come into play in my tracks. from there I move and create a suspenseful and harmonic setting that leads to the drop. I always imagine them as if they were films, something that with eyes closed can somehow transport the listener on a journey.

Who are some of your biggest musical influences, and how have they shaped your sound and approach to techno music?

I am very inspired by Sangiuliano, Fred again and KAS:ST but the first artist to have taught me what I know today is Kalkbrenner.

What advice would you give to aspiring techno producers who are just starting out and looking to make their mark in the industry?

Don\’t stay at home all day in front of the computer creating tracks after tracks without any real logic! doing public relations is almost more important than creating tracks! and also listen to music, not just techno, delve into Jazz, electronics, classical music and house. everything is a source of inspiration to be and become original.